{"id":257,"name":"","email":"","language_id":1,"permalink":"manon-de-boer","deleted":false,"legal_status_id":47,"url_1":"","twitter":null,"category_id":47,"date_of_birth":"1966-01-01T00:00:00.000+01:00","place_of_birth":null,"country_of_birth":null,"place_of_residence":null,"country_of_residence":null,"cached_privileges_list":"User","cached_tag_list":"","publishing_process_id":1,"can_log_in":false,"firstname":"Manon","lastname":"de Boer","annotation":"","url_2":"","url_3":"","cached_name":"Manon de Boer","date_of_death":null,"cached_name_asc":"de Boer, Manon","stream_count_app":27,"gender":"other","platform_admin":null,"description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/017/607/large/ManonDeBoer_web.jpg?1370268006","poster_credits":null,"media_count":1,"items_count":3,"translations":[{"locale":"en","short_description":"","description":"\u003cp\u003eThe Dutch artist Manon de Boer makes films, videos, installations, websites and publications. In her portraits De Boer investigates memory and her own personal remembrances. She looks for a way to represent the relationship between time and space, between looking and the facial expression of the subject. The people she portrays are photogenic, and in many cases are friends and acquaintances of the artist. By looking at them through the camera, she creates both distance and intimacy. She considers those she loves as endless worlds \u0026ndash; ready to explore and gradually get to know. Language and the voice are components of the portrait. Information is communicated in different ways, not just through language, but on other levels as well. The sound of the voices, intonation and cadence of the words count more than the content. Truth, she says, emerges in relation to the \u0026lsquo;other\u0026rsquo;. The other that looks at the other is an ever increasingly important theme in her work. Through her use of image, sound and music in her compositions, she subtly changes our usual perception of film. The texture of the images and the sound recordings created by De Boer, give the spectator a strong sense of time duration. The viewer is imbued with a feeling of slowing down. This slowness is in contrast to the prevalent habit of \u0026lsquo;just snatching a glance\u0026rsquo;. De Boer would like viewers to ask themselves what they see when the portraits develop as a function of their memories.\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp\u003eDe Nederlandse kunstenares Manon de Boer maakt films, video\u0026rsquo;s, installaties, websites en publicaties. In haar portretten onderzoekt De Boer het geheugen en haar herinneringen. Ze zoekt een manier om de relatie tussen tijd en ruimte, tussen kijken en de gezichtsuitdrukking van de geportretteerde in beeld te brengen. De mensen die ze afbeeldt, hebben een fotogeniek karakter en zijn vaak vrienden en kennissen van haar. Door naar hen te kijken door de camera, cre\u0026euml;ert ze zowel afstand en intimiteit. Ze ziet de mensen die ze liefheeft als eindeloze werelden, klaar om te verkennen en gestaag te leren kennen. Taal en de stem maken deel uit van het portret. Informatie wordt op verschillende manieren gecommuniceerd, niet enkel via taal, maar ook op andere niveaus. Het geluid van de stemmen, intonatie en de cadens van de woorden beslaat meer dan de inhoud. Waarheid, zegt ze, ontstaat in relatie met de \u0026lsquo;ander\u0026rsquo;. De ander die kijkt naar de ander is een thema dat steeds belangrijker wordt in haar werk. Door de manier waarop ze beeld, geluid en muziek opneemt in haar composities, wijzigt ze subtiel onze klassieke waarneming van film. De textuur van de beelden en de geluidsopnames die de Boer gebruikt, geven de toeschouwer een sterk gevoel van tijdsduur. De kijker beleeft een gevoel van onthaasting. De traagheid staat in contrast met de veel voorkomende attitude \u0026lsquo;even snel te kijken\u0026rsquo;. De Boer beoogt dat de toeschouwer zich afvraagt wat hij ziet wanneer de portretten zich ontwikkelen aan de hand van hun herinneringen.\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"locations":[{"country":"IN","place":"Kodaicanal","category":{"en":"Born in","nl":"Geboren in","fr":"Né à"}},{"country":"BE","place":"Brussels","category":{"en":"Lives in","nl":"Leeft in","fr":"Vit à"}}]}