{"id":765,"name":"","email":"ensembles@muhka.be","language_id":1,"permalink":"moshe-ninio","deleted":false,"legal_status_id":47,"url_1":"","twitter":null,"category_id":47,"date_of_birth":"1953-01-01T00:00:00.000+01:00","place_of_birth":null,"country_of_birth":null,"place_of_residence":null,"country_of_residence":null,"cached_privileges_list":"User","cached_tag_list":"","publishing_process_id":1,"can_log_in":false,"firstname":"Moshe","lastname":"Ninio","annotation":"","url_2":"","url_3":"","cached_name":"Moshe Ninio","date_of_death":null,"cached_name_asc":"Ninio, Moshe","stream_count_app":26,"gender":"other","platform_admin":null,"description_ca":"","short_description_ca":"","description_it":null,"short_description_it":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/017/626/large/blank.png?1370340112","poster_credits":null,"media_count":1,"items_count":1,"translations":[{"locale":"en","short_description":"","description":"\u003cp\u003e\u003cstrong\u003eMoshe Ninio \u003c/strong\u003ewas born in Tel Aviv in 1953. He is currently based there and in Paris. Although his artistic production is relatively small, he plays an important part in the development of the Israeli art scene \u0026ndash; as a thinker and curator too. Ninio combines an approach that is essentially spiritual \u0026ndash; mystical even \u0026ndash; with political awareness. Jewish culture, on which the state of Israel is founded, is first and foremost a culture of the word. This renders the image problematic, as suggested by visual works within the Israeli artistic tradition that might be termed \u0026lsquo;dry\u0026rsquo; \u0026ndash; the paintings of \u003ca href=\"http://en.wikipedia.org/wiki/Moshe_Kupferman\"\u003eMoshe Kupferman\u003c/a\u003e\u0026nbsp;(1926\u0026ndash;2003), for instance \u0026ndash; located as they are at the cusp of abstraction and immanence. Ninio translates this attitude into an interrogation of the capacity of the image, while maintaining a dialogue with how this has occurred internationally in recent decades. He uses a limited range of photographic images, which have substantial meaning potential and which are presented on the brink of illegibility: the bow-wave of a ship (not shown), the shape of a helicopter or the silhouette of a communications tower, as featured in his contribution to Documenta IX. These images are held within a strict presentation framework. They may frequently be linked to worldly power; yet they seek to get beyond this image and to convey a glimpse of a different order, an energy that cannot be named, imagined or conceived.\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp\u003e\u003cstrong\u003eMoshe Ninio \u003c/strong\u003ewerd geboren in 1953 in Tel Aviv. Hij woont daar en in Parijs. Ondanks zijn beperkte oeuvre heeft hij een belangrijke rol in de ontwikkeling van de Isra\u0026euml;lische kunstsc\u0026egrave;ne, ook als denker en curator. Hij koppelt een inzet die wezenlijk spiritueel - zelfs mystiek - is aan een politiek bewustzijn. De joodse cultuur, de basis voor de oprichting van de staat Isra\u0026euml;l, is er bovenal \u0026eacute;\u0026eacute;n van het woord. Het beeld is daardoor problematisch, wat in de Isra\u0026euml;lische kunsttraditie blijkt uit beelden die men \u0026lsquo;droog\u0026rsquo; kan noemen, bijvoorbeeld die van de schilder \u003ca href=\"http://en.wikipedia.org/wiki/Moshe_Kupferman\"\u003eMoshe Kupferman\u003c/a\u003e\u0026nbsp;(1926-2003), omdat ze op de rand van abstractie en immanentie staan. Die houding vertaalt Ninio in een bevraging van de capaciteit van het beeld, in een dialoog met hoe dit de voorbije decennia wereldwijd gebeurde. Hij gebruikt een beperkt gamma van fotografische beelden die een groot betekenispotentieel hebben en die op de rand van onherkenbaarheid worden gepresenteerd; de golf van de voortbeweging van een \u0026ndash; afwezig \u0026ndash; schip, de vorm van een helikopter of het silhouet van een communicatietoren, zoals in zijn bijdrage voor Documenta IX. Deze beelden worden in een streng presentatiekader gevat. Vaak kan men ze verbinden met wereldse macht; ze zoeken echter door dit beeld heen te geraken en een glimp op te roepen van een andere orde, een energie die niet kan worden benoemd, verbeeld of gedacht.\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"locations":[{"country":"IL","place":"Tel Aviv","category":{"en":"Born in","nl":"Geboren in","fr":"Né à"}},{"country":"FR","place":"Paris","category":{"en":"Lives in","nl":"Leeft in","fr":"Vit à"}},{"country":"IL","place":"Tel Aviv","category":{"en":"Lives in","nl":"Leeft in","fr":"Vit à"}}]}