{"id":13224,"title":"Tightrope","dimensions":"01:16:00","date_begin":"2015-01-01","material":"4K video, colour, sound","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":13,"stream_count":0,"collection":"M HKA, Donated by the V-A-C Foundation, Moscow","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eCollection: Joint acquisition by M HKA and Van Abbemuseum, Eindhoven\u003c/p\u003e","date_end":null,"reference":"S0504_2","stream_count_app":120,"permalink":"tightrope","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/029/913/medium_500/Taus_Makhacheva__Tightrope_2015.jpg?1444653788","cached_actor_names":"Taus Makhacheva","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":false,"category":{"en":"Video","nl":"Video","fr":"Video"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/029/913/large/Taus_Makhacheva__Tightrope_2015.jpg?1444653788","poster_credits":null,"translations":[{"locale":"en","short_description":"","description":"\u003cp\u003eA tightrope walker crosses the abyss of a canyon in the highlands of Cauca­sians mountains using artworks of various Dagestani artists on instead of a balancing pole. The walker, Rasul Abakarov, descendant of a famous tight­rope dynasty in 5th generation, brings paintings and works on paper span­ning through the whole 20th century from one side of the mountain to the other into a structure that evokes a museum storage. By staging this risky operation, Makhacheva creates a vision of subjective institutional history of art in 61 objects, questioning the mechanisms of functioning of history of art under the threat of depths of amnesia. The way how artworks are moved above the void evokes the fragile balance of post-soviet subjectivity rein­venting itself and looking for an equilibrium between the traditional past and the national, local and contemporary culture. Ultimately the precarious balance of the tightrope embodies the existential experience of an artist always balancing on the verge of appreciation and oblivion. (Silvia Franceschini)\u003c/p\u003e\u003chr\u003e\u003cp\u003eTaus Makhacheva, \u003ci\u003eTightrope\u003c/i\u003e, 2015\u003cbr\u003e\u003cbr\u003eTightrope walker: Rasul Abakarov\u003cbr\u003eExecutive producer: Malika Alieva\u003cbr\u003eDirector of photography: Alexander Sinyagin\u003cbr\u003eCamera: Pavel Filkov\u003cbr\u003eQuadrocopter camera: Shamil Gadzhidadaev\u003cbr\u003eEditing: Alexandra Pustynnova\u003cbr\u003eColour grading: Mikhail Perelman, Nika Digital Studio\u003cbr\u003eSound engineer: Alexandra Pustynnova\u003cbr\u003eSound designer: Alexander Khokhlov\u003cbr\u003eFoley artist: Sergey Radzievsky\u003cbr\u003eMetal Structure 1: Malika Alieva, Robert Ashurbekov, Isa Charakov\u003cbr\u003eMetal Structure 2: Malika Alieva, Aliomar Aliomarov, Isa Charakov\u003cbr\u003eTightrope technical assistance: Mukhtar Abakarov\u003cbr\u003eTechnical equipment: Kinozavod\u003cbr\u003eProduction support: Abdulla Abdullaev, Patimat Abdullaeva, Patimat Ataeva, Natalia Bezrukova, Ruslan Dadashev, Gusein Gimbatov, Iraiganat Kurbanova, Magomed Magomedov, Nurmagomed Nurmagomedov, Akhmed Yusupov\u003cbr\u003eResearch: Malika Alieva, Alexandra Pustynnova\u003cbr\u003ePrinting: Marat Suleimanov\u003cbr\u003e\u003cbr\u003eWith support of the Ministry of Culture of The Republic of Dagestan, P. S. Gamzatova Dagestan Museum of Fine Arts and collection custodians Bakiyat Kakhimova, Zuriyat Dzhanbatyrova, Ravzat Otsokova, deputy director Ayshat Magomedova and director Salikhat Gamzatova, Department of Audiovisual Technologies of the College of Entrepreneurship No. 11 (Moscow), Museum of Contemporary Art Antwerp (M HKA, Belgium), Jan Van Eyck Academie, Altus Group\u003cbr\u003e\u003cbr\u003eThe work is based on the collection of P. S. Gamzatova Dagestan Museum of Fine Arts\u003cbr\u003eThe selection of artworks is loosely based on an unpublished article on the collection of P. S. Gamzatova Dagestan Museum of Fine Arts by Dzhamilya Dagirova\u003cbr\u003e\u003cbr\u003eProduction supported by Cosmoscow Artists’ Patron Programme\u003cbr\u003eCourtesy of the artist\u003cbr\u003e\u0026nbsp;\u003c/p\u003e"},{"locale":"nl","short_description":"","description":"\u003cp\u003eHet oeuvre van Taus Makhacheva stelt klassieke vormen van geschiedschrijving, heersende culturele conventies en genderkwesties in vraag. Met een tegelijk humoristische en kritische houding tegenover de huidige maatschappij probeert Makhacheva het hedendaagse met het nostalgische, het lokale met het globale, traditie met vooruitgang te verzoenen. In de video \u003ci\u003eTightrope \u003c/i\u003everhuist een circusartiest kunstwerken van de ene berg naar de andere, waar ze worden bijgezet in een houten constructie die doet denken aan een museumdepot. Tijdens de evenwichtsoefening vervangen de werken de balanceerstok.\u003c/p\u003e"},{"locale":"fr","short_description":"","description":"\u003cp\u003eL’œuvre de Taus Makhacheva interroge les formes classiques d’historiographie, les conventions culturelles dominantes et les questions de genre. Avec une attitude à la fois humoristique et critique à l’égard de la société actuelle, Makhacheva tente de réconcilier le contemporain et le nostalgique, le local et le global, la tradition et le progrès. Dans la vidéo \u003ci\u003eTightrope\u003c/i\u003e, un artiste de cirque déménage des œuvres d’art d’une pile à l’autre où il les entrepose dans une construction en bois qui fait penser à une réserve de musée. Pendant l’exercice d’équilibre, les œuvres remplacent le bâton d’équilibre.\u003c/p\u003e"},{"locale":"ru","short_description":"","description":"\u003cp\u003e\u003cstrong\u003eКанат.\u0026nbsp;2015, видео\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eВ новом видео Таус Махачевой канатоходец пересекает ущелье в горной местности Дагестана, используя произведения искусства дагестанских художников вместо балансирующего шеста или подвешивая картины на баланс. Канатоходец Расул Абакаров, потомок известной династии канатоходцев в 5-м поколении, проносит живописные и графические работы, создающие образ искусства Дагестана XX века, с одной горы на другую и складывает их в конструкцию, которая является метафорой музейного хранилища. Осуществляя этот опасный проект, Таус создает свое собственное видение истории искусства в 61 произведении, подвергая сомнению механизмы функционирования истории искусства под угрозой глубин амнезии. Балансирование картин над пропастью отображает хрупкое равновесие постсоветской субъективности, возрождающейся в поисках баланса между традиционным прошлым и национальным, местной и современной культурой. И, наконец, шаткое равновесие на канате воплощает экзистенциальный опыт художника, который всегда балансирует на грани признания и забвения. (Сильвия Франческини)\u003c/p\u003e"},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":2749,"name":"Taus Makhacheva","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}