{"id":15573,"title":"Un masque","dimensions":"","date_begin":"2017-01-01","material":"","art_status_id":13,"legal_status_id":47,"category_id":118,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eGetekende en genummerde editie op 45 exemplaren; 6 a.p.\u003c/p\u003e\r\n","date_end":null,"reference":"M00269","stream_count_app":24,"permalink":"untitled-d7f070ae-bfe2-424c-a058-5882e11e268c","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/035/387/medium_500/Prouvost___photo__M_HKAcc_3.jpg?1493217384","cached_actor_names":"Laure Prouvost","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Multiple","nl":"Multipel","fr":"Multiple"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/035/387/large/Prouvost___photo__M_HKAcc_3.jpg?1493217384","poster_credits":"(c)image: M HKA ","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003e\u003cem\u003e\u0026quot;It\u0026rsquo;s something I did some years ago when I was very lonely in my studio. I called the masks \u0026ldquo;priests\u0026rdquo; and was playing with hiding behind a preaching mode. I would never show my face in my films. You could hear my voice but never see my face. I think it leaves more space in the imagination of the viewer if you have to imagine someone\u0026rsquo;s face\u0026mdash;the voice just gives you hints of a person. We are controlled by our education and many other elements, but we don\u0026rsquo;t know the faces of who controls us. In \u0026ldquo;Monologue\u0026rdquo; (2009) I cut my head off in the camera frame. It was this idea of imagining\u0026mdash;putting a face on\u0026mdash;what you can\u0026rsquo;t see.\u0026quot;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e(from;\u003cem\u003e IDEALLY THIS INTERVIEW WOULD ANSWER ALL OF YOUR QUESTIONS - LAURE PROUVOST with Jarrett\u0026nbsp;Earnest\u003c/em\u003e, in:\u0026nbsp;The Brooklyn Rail, March 2014)\u003c/span\u003e\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp\u003e\u003cem\u003e\u0026quot;It\u0026rsquo;s something I did some years ago when I was very lonely in my studio. I called the masks \u0026ldquo;priests\u0026rdquo; and was playing with hiding behind a preaching mode. I would never show my face in my films. You could hear my voice but never see my face. I think it leaves more space in the imagination of the viewer if you have to imagine someone\u0026rsquo;s face\u0026mdash;the voice just gives you hints of a person. We are controlled by our education and many other elements, but we don\u0026rsquo;t know the faces of who controls us. In \u0026ldquo;Monologue\u0026rdquo; (2009) I cut my head off in the camera frame. It was this idea of imagining\u0026mdash;putting a face on\u0026mdash;what you can\u0026rsquo;t see.\u0026quot;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e(from;\u003cem\u003e IDEALLY THIS INTERVIEW WOULD ANSWER ALL OF YOUR QUESTIONS - LAURE PROUVOST with Jarrett\u0026nbsp;Earnest\u003c/em\u003e, in:\u0026nbsp;The Brooklyn Rail, March 2014)\u003c/span\u003e\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cp\u003e\u003cem\u003e\u0026quot;It\u0026rsquo;s something I did some years ago when I was very lonely in my studio. I called the masks \u0026ldquo;priests\u0026rdquo; and was playing with hiding behind a preaching mode. I would never show my face in my films. You could hear my voice but never see my face. I think it leaves more space in the imagination of the viewer if you have to imagine someone\u0026rsquo;s face\u0026mdash;the voice just gives you hints of a person. We are controlled by our education and many other elements, but we don\u0026rsquo;t know the faces of who controls us. In \u0026ldquo;Monologue\u0026rdquo; (2009) I cut my head off in the camera frame. It was this idea of imagining\u0026mdash;putting a face on\u0026mdash;what you can\u0026rsquo;t see.\u0026quot;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e(from;\u003cem\u003e IDEALLY THIS INTERVIEW WOULD ANSWER ALL OF YOUR QUESTIONS - LAURE PROUVOST with Jarrett\u0026nbsp;Earnest\u003c/em\u003e, in:\u0026nbsp;The Brooklyn Rail, March 2014)\u003c/span\u003e\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":3062,"name":"Laure Prouvost","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}