{"id":230,"title":"Sensual","dimensions":"","date_begin":"2007-01-01","material":"","art_status_id":13,"legal_status_id":47,"category_id":58,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA, Antwerp / Collection Flemish Community ","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"BK007699-002","stream_count_app":54,"permalink":"sensual","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/000/702/medium_500/Harsha,%20N.S.,Sensual,%202007%20photo%20clinckx_7.jpg?1302620664","cached_actor_names":"N S Harsha","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"category":{"en":"Installation","nl":"Installatie","fr":"Installation"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/000/702/large/Harsha,%20N.S.,Sensual,%202007%20photo%20clinckx_7.jpg?1302620664","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003eN S Harsha makes large-scale painted installations that relate to the issue of the liberalisation of the agricultural sector in India and the difficulties farmers have had to face as a consequence.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nReflecting the rural-urban divide, the installation \u003cem\u003eSensual\u003c/em\u003e, like many of N. S. Harsha\u0026rsquo;s works, takes from the pictorial language of traditional miniature painting in South Asia, and develops it into a spatial practice. We see firstly a painting of a person resembling a businessman, laid flat on the floor, on top of which are traditional wooden tools for working the land. On the wall is a painting of a falling head. Harsha has created several artworks relating to the issue of the liberalisation of the agricultural sector in India, and the difficulties farmers and rural farming communities have had to face as a consequence. In particular, the adoption of monocultural agricultural techniques along with the sale of genetically modified seeds by multinational corporations, which in contrast to the so-called green revolution\u0026#39;s boasts, have, in fact, led to spiralling debt and mass suicides among farmers. It has also led to the destruction of traditional community life and to the erasure of local agricultural knowledge.\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp\u003eN S Harsha maakt grootschalige geschilderde installaties die betrekking hebben op de kwestie van de liberalisering in de agrarische sector in India en de moeilijkheden die boeren hebben moeten meemaken als gevolg daarvan.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nDe installatie \u003cem\u003eSensual \u003c/em\u003eweerspiegelt de kloof tussen platteland en stad. Ze inspireert zich, net als veel werken van N.S. Harsha, op de beeldtaal van de traditionele Zuid-Aziatische miniatuurschilderkunst, en ontwikkelt die tot een ruimtelijke praktijk. We zien een schilderij van een zakenman-achtige persoon, plat op de grond gelegd, met daarop traditionele houten landbouwwerktuigen. Aan de muur hangt een schilderij van een vallend hoofd. Harsha heeft verschillende kunstwerken gemaakt die de liberalisering van de landbouwsector in India aankaarten en de moeilijkheden die boeren en plattelandsgemeenschappen daardoor hebben ondervonden. Met name de adoptie van monoculturele landbouwtechnieken en de verkoop van genetisch gemodificeerde zaden door multinationals hebben \u0026ndash; in tegenstelling tot de zogenaamde groene revolutie (1960-1980) \u0026ndash; geleid tot oplopende schulden en massale zelfmoorden onder de boeren. Deze evolutie heeft ook geleid tot de vernietiging van het traditionele gemeenschapsleven en het uitwissen van lokale landbouwkennis.\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cp\u003eRefl\u0026eacute;tant la fracture rurale-urbaine, l\u0026rsquo;installation \u003cem\u003eSensual\u003c/em\u003e, comme beaucoup d\u0026rsquo;\u0026oelig;uvres de N.S. Harsha, s\u0026rsquo;inspire du langage pictural de la peinture miniature traditionnelle en Asie du Sud et le d\u0026eacute;veloppe en une pratique spatiale. Nous voyons d\u0026rsquo;abord une peinture d\u0026rsquo;une personne ressemblant \u0026agrave; un homme d\u0026rsquo;affaires. La peinture est pos\u0026eacute;e \u0026agrave; plat sur le sol et est recouverte d\u0026rsquo;outils traditionnels en bois pour travailler la terre. Sur le mur se trouve une peinture repr\u0026eacute;sentant une t\u0026ecirc;te qui tombe. Harsha a cr\u0026eacute;\u0026eacute; plusieurs \u0026oelig;uvres d\u0026rsquo;art li\u0026eacute;es \u0026agrave; la question de la lib\u0026eacute;ralisation du secteur agricole en Inde et aux difficult\u0026eacute;s que les agriculteurs et les communaut\u0026eacute;s agricoles rurales ont d\u0026ucirc; affronter en cons\u0026eacute;quence. En particulier, l\u0026rsquo;adoption de techniques agricoles monoculturales ainsi que la vente de semences g\u0026eacute;n\u0026eacute;tiquement modifi\u0026eacute;es par des soci\u0026eacute;t\u0026eacute;s multinationales qui, contrairement aux pr\u0026eacute;tendues vantardises de la r\u0026eacute;volution verte, ont en fait conduit \u0026agrave; une dette croissante et \u0026agrave; des suicides massifs parmi les agriculteurs. Elle a \u0026eacute;galement men\u0026eacute; \u0026agrave; la destruction de la vie communautaire traditionnelle et \u0026agrave; l\u0026rsquo;effacement des connaissances agricoles locales.\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":"\u003cp\u003eN S Harsha kreiert gro\u0026szlig;fl\u0026auml;chig bemalte Installationen, die sich auf die Liberalisierung des landwirtschaftlichen Sektors in Indien und die damit verbundenen Probleme, denen die Bauern dort gegen\u0026uuml;berstehen, beziehen.\u003c/p\u003e\r\n"},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":"\u003cp style=\"text-align:justify\"\u003e\u0026Omicron; \u0026Nu;.\u0026Sigma;. \u0026Chi;ά\u0026rho;\u0026sigma;\u0026alpha; \u0026delta;\u0026eta;\u0026mu;\u0026iota;\u0026omicron;\u0026upsilon;\u0026rho;\u0026gamma;\u0026epsilon;ί \u0026mu;\u0026epsilon;\u0026gamma;ά\u0026lambda;\u0026eta;\u0026sigmaf; \u0026kappa;\u0026lambda;ί\u0026mu;\u0026alpha;\u0026kappa;\u0026alpha;\u0026sigmaf; \u0026zeta;\u0026omega;\u0026gamma;\u0026rho;\u0026alpha;\u0026phi;\u0026iota;\u0026kappa;έ\u0026sigmaf; \u0026epsilon;\u0026gamma;\u0026kappa;\u0026alpha;\u0026tau;\u0026alpha;\u0026sigma;\u0026tau;ά\u0026sigma;\u0026epsilon;\u0026iota;\u0026sigmaf; \u0026pi;\u0026omicron;\u0026upsilon; \u0026sigma;\u0026chi;\u0026epsilon;\u0026tau;ί\u0026zeta;\u0026omicron;\u0026nu;\u0026tau;\u0026alpha;\u0026iota; \u0026mu;\u0026epsilon; \u0026tau;\u0026omicron; \u0026theta;έ\u0026mu;\u0026alpha; \u0026tau;\u0026eta;\u0026sigmaf; \u0026alpha;\u0026pi;\u0026epsilon;\u0026lambda;\u0026epsilon;\u0026upsilon;\u0026theta;έ\u0026rho;\u0026omega;\u0026sigma;\u0026eta;\u0026sigmaf; \u0026tau;\u0026omicron;\u0026upsilon; \u0026gamma;\u0026epsilon;\u0026omega;\u0026rho;\u0026gamma;\u0026iota;\u0026kappa;\u0026omicron;ύ \u0026tau;\u0026omicron;\u0026mu;έ\u0026alpha; \u0026sigma;\u0026tau;\u0026eta;\u0026nu; \u0026Iota;\u0026nu;\u0026delta;ί\u0026alpha; \u0026kappa;\u0026alpha;\u0026iota; \u0026tau;\u0026iota;\u0026sigmaf; \u0026delta;\u0026upsilon;\u0026sigma;\u0026kappa;\u0026omicron;\u0026lambda;ί\u0026epsilon;\u0026sigmaf; \u0026pi;\u0026omicron;\u0026upsilon; \u0026alpha;\u0026nu;\u0026tau;\u0026iota;\u0026mu;\u0026epsilon;\u0026tau;\u0026omega;\u0026pi;ί\u0026zeta;\u0026omicron;\u0026upsilon;\u0026nu; \u0026epsilon;\u0026xi;\u0026alpha;\u0026iota;\u0026tau;ί\u0026alpha;\u0026sigmaf; \u0026tau;\u0026eta;\u0026sigmaf; \u0026omicron;\u0026iota; \u0026alpha;\u0026gamma;\u0026rho;ό\u0026tau;\u0026epsilon;\u0026sigmaf;. \u0026Tau;\u0026alpha; \u0026delta;\u0026iota;ά\u0026phi;\u0026omicron;\u0026rho;\u0026alpha; \u0026sigma;\u0026tau;\u0026omicron;\u0026iota;\u0026chi;\u0026epsilon;ί\u0026alpha; \u0026sigma;\u0026tau;\u0026alpha; έ\u0026rho;\u0026gamma;\u0026alpha; \u003cem\u003eSensual\u003c/em\u003e [\u0026Alpha;\u0026iota;\u0026sigma;\u0026theta;\u0026eta;\u0026sigma;\u0026iota;\u0026alpha;\u0026kappa;ό],\u003cem\u003e \u003c/em\u003e\u003cem\u003eHead\u003c/em\u003e [\u0026Kappa;\u0026epsilon;\u0026phi;ά\u0026lambda;\u0026iota;] \u0026kappa;\u0026alpha;\u0026iota; \u003cem\u003eOrgasm\u003c/em\u003e [\u0026Omicron;\u0026rho;\u0026gamma;\u0026alpha;\u0026sigma;\u0026mu;ό\u0026sigmaf;] \u0026sigma;\u0026upsilon;\u0026nu;\u0026tau;\u0026omicron;\u0026nu;ί\u0026zeta;\u0026omicron;\u0026nu;\u0026tau;\u0026alpha;\u0026iota; \u0026sigma;\u0026epsilon; \u0026mu;\u0026iota;\u0026alpha; \u0026epsilon;\u0026iota;\u0026kappa;\u0026omicron;\u0026nu;\u0026omicron;\u0026gamma;\u0026rho;\u0026alpha;\u0026phi;\u0026iota;\u0026kappa;ή \u0026kappa;\u0026alpha;\u0026iota; \u0026tau;\u0026rho;\u0026iota;\u0026sigma;\u0026delta;\u0026iota;ά\u0026sigma;\u0026tau;\u0026alpha;\u0026tau;\u0026eta; \u0026alpha;\u0026pi;\u0026epsilon;\u0026iota;\u0026kappa;ό\u0026nu;\u0026iota;\u0026sigma;\u0026eta; \u0026tau;\u0026omicron;\u0026upsilon; \u0026sigma;\u0026eta;\u0026mu;\u0026epsilon;\u0026rho;\u0026iota;\u0026nu;\u0026omicron;ύ \u0026alpha;\u0026gamma;ώ\u0026nu;\u0026alpha;. \u0026Eta; \u0026alpha;\u0026nu;ά\u0026pi;\u0026tau;\u0026upsilon;\u0026xi;\u0026eta; \u0026ndash;ό\u0026pi;\u0026omega;\u0026sigmaf; \u0026epsilon;\u0026kappa;\u0026pi;\u0026rho;\u0026omicron;\u0026sigma;\u0026omega;\u0026pi;\u0026epsilon;ί\u0026tau;\u0026alpha;\u0026iota; \u0026alpha;\u0026pi;ό \u0026tau;\u0026omicron;\u0026upsilon;\u0026sigmaf; \u0026laquo;ά\u0026nu;\u0026delta;\u0026rho;\u0026epsilon;\u0026sigmaf; \u0026mu;\u0026epsilon; \u0026tau;\u0026alpha; \u0026kappa;\u0026omicron;\u0026sigma;\u0026tau;\u0026omicron;ύ\u0026mu;\u0026iota;\u0026alpha; \u0026kappa;\u0026alpha;\u0026iota; \u0026tau;\u0026omicron;\u0026upsilon;\u0026sigmaf; \u0026chi;\u0026alpha;\u0026rho;\u0026tau;\u0026omicron;\u0026phi;ύ\u0026lambda;\u0026alpha;\u0026kappa;\u0026epsilon;\u0026sigmaf;\u0026raquo;\u0026ndash; \u0026epsilon;\u0026pi;\u0026iota;\u0026tau;\u0026epsilon;ί\u0026nu;\u0026epsilon;\u0026iota; \u0026tau;\u0026eta;\u0026nu; \u0026epsilon;\u0026kappa;\u0026mu;\u0026epsilon;\u0026tau;ά\u0026lambda;\u0026lambda;\u0026epsilon;\u0026upsilon;\u0026sigma;\u0026eta; \u0026tau;\u0026omicron;\u0026upsilon; \u0026alpha;\u0026gamma;\u0026rho;\u0026omicron;\u0026tau;\u0026iota;\u0026kappa;\u0026omicron;ύ \u0026epsilon;\u0026rho;\u0026gamma;\u0026alpha;\u0026tau;\u0026iota;\u0026kappa;\u0026omicron;ύ \u0026delta;\u0026upsilon;\u0026nu;\u0026alpha;\u0026mu;\u0026iota;\u0026kappa;\u0026omicron;ύ \u0026kappa;\u0026alpha;\u0026iota; \u0026omicron;\u0026delta;\u0026eta;\u0026gamma;\u0026epsilon;ί ό\u0026lambda;\u0026omicron; \u0026kappa;\u0026alpha;\u0026iota; \u0026pi;\u0026epsilon;\u0026rho;\u0026iota;\u0026sigma;\u0026sigma;ό\u0026tau;\u0026epsilon;\u0026rho;\u0026omicron;\u0026upsilon;\u0026sigmaf; \u0026chi;\u0026omega;\u0026rho;\u0026iota;\u0026kappa;\u0026omicron;ύ\u0026sigmaf; \u0026tau;\u0026eta;\u0026sigmaf; \u0026Iota;\u0026nu;\u0026delta;ί\u0026alpha;\u0026sigmaf; \u0026sigma;\u0026tau;\u0026iota;\u0026sigmaf; \u0026pi;ό\u0026lambda;\u0026epsilon;\u0026iota;\u0026sigmaf;.\u003c/p\u003e\r\n"}],"actors":[{"id":162,"name":"N S Harsha","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}