{"id":26833,"title":"Dr. Adolf Dresler, \"Deutsche Kunst und entartete \"Kunst\": Kunstwerk und Zerrbild als Spiegel der Weltanschauung\"","dimensions":"15.4 x 20.5 x 0.8 cm","date_begin":"1938-01-01","material":"paper, ink","art_status_id":220,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection MHKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003e\u003cstrong\u003eDr. Adolf Dresler, \u003cem\u003eGerman Art and Degenerate \u0026quot;Art\u0026quot;: Work of Art and Caricature as Mirror of the Worldview\u003c/em\u003e\u003cbr /\u003e\r\nPublished by Deutsche Volksverlag\u003cbr /\u003e\r\nFirst edition\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n","date_end":null,"reference":"","stream_count_app":20,"permalink":"deutsche-kunst-und-entartete-kunst-kunstwerk-und-zerrbild-als-spiegel-der-weltanschauung","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/942/medium_500/Image00003.jpg?1598432388","cached_actor_names":"","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"category":{"en":"Book","nl":"Boek","fr":"Livre"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/942/large/Image00003.jpg?1598432388","poster_credits":"scan: (c) M HKA, Published by Deutsche Volksverlag","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003ePublished in 1938, a year after the opening of the \u003cem\u003eEntartete Kunst \u003c/em\u003eexhibition, this book is a typical example of Nazi criticism of modernist art, with expressionist and abstract works being juxtaposed with politically favourable German (\u0026#39;Deutsche\u0026#39;) works. The artworks condemned by the author were selected from the list of \u0026#39;degenerate artworks\u0026#39; presented at the infamous exhibition. The pairings of illustrations in the book are arranged by subject and aimed to show the reader the difference between ambiguous modernist creations, which always require additional comments, and true German artworks, which according to the author, have no need for any explanation and \u0026ldquo;immediately provide German people with the experience of real art\u0026rdquo;.\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp\u003e\u003cem\u003eDeutsche Kunst und entartete \u0026#39;Kunst\u0026#39;: Kunstwerk und Zerrbild als Spiegel der Weltanschauung\u003c/em\u003e (Duitse kunst en ontaarde \u0026#39;kunst\u0026#39;: kunstwerk en karikatuur als spiegel van de wereldbeschouwing) verscheen in 1938, precies een jaar na de opening van de beruchte tentoonstelling \u003cem\u003eEntartete Kunst\u003c/em\u003e. Het boek is een typisch voorbeeld van de nazikritiek op modernistische kunst, waarbij expressionistische en abstracte werken tegenover Duitse werken, die beantwoorden aan de nazikunstpolitiek, worden geplaatst. De door de auteur veroordeelde kunst komt uit de lijst met \u0026#39;ontaarde kunstwerken\u0026#39; die op de gelijknamige expo werden gepresenteerd. De illustraties in het boek zijn gerangschikt volgens onderwerp. Bedoeling is de lezer het verschil te laten zien tussen dubbelzinnige modernistische creaties, die altijd aanvullend commentaar vereisen, en \u0026#39;echte\u0026#39; Duitse kunstwerken, die volgens de auteur geen uitleg behoeven en \u0026#39;het Duitse volk onmiddellijk de ervaring van echte kunst verschaffen\u0026#39;.\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[]}