{"id":26853,"title":"Aus der Austellung Das Wunder des Lebens Berlin 1935","dimensions":"14 x 9 cm","date_begin":"1935-01-01","material":"","art_status_id":220,"legal_status_id":47,"category_id":217,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection MHKA, Antwerp","cached_tag_list":"Monoculture Das Wunder des Lebens","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":19,"permalink":"aus-der-austellung-das-wunder-des-lebens-berlin-1935","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/756/medium_500/6106.jpg?1662988430","cached_actor_names":"","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"category":{"en":"Postcard","nl":"Postkaart","fr":""},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/756/large/6106.jpg?1662988430","poster_credits":null,"translations":[{"locale":"en","short_description":"","description":"\u003cp\u003e\u003cem\u003eDas Wunder des Lebens\u003c/em\u003e was a propaganda exhibition organised to promote the racial ideology of the Nazis. It was shown in Berlin at the Kaiserdamm and the Deutsches Hygiene-Museum, Dresden, in 1935, and later travelled to other locations. Organised by Bruno Gebhard (1901-1985), a professional physician who was known as a curator of several renowned propaganda exhibitions, including \u003cem\u003eDie Frau in Familie\u003c/em\u003e, \u003cem\u003eHaus und Beruf \u003c/em\u003e(1933) and \u003cem\u003eDeutsches Volk-Deutsche Arbeit\u0026nbsp;\u003c/em\u003e(1934), the exhibition \u003cem\u003eDas Wunder des Lebens\u003c/em\u003e introduced new representations on the theme of \u0026lsquo;Der Mensch\u0026#39; (\u0026lsquo;The Human\u0026rsquo;). The major aspects of this extensive show were \u0026#39;Die Lehre vom Leben\u0026#39; (\u0026lsquo;The Teachings of Life\u0026rsquo;) with its highlight being the transparent sculpture of man, \u0026#39;Der Tr\u0026auml;ger des Lebens\u0026#39; (\u0026lsquo;The Bearer of Life\u0026rsquo;) featuring the German family, and \u0026#39;Die Erhaltung des Lebens\u0026#39; (The Preservation of Life), dedicated to the health system in Germany. Pictorial material presented in the exhibition included healthy \u0026#39;Aryan\u0026#39; types, different images of Jewish people, images of physically or mentally disabled people, and representations of other \u0026#39;undesirable\u0026#39; categories who, according to Nazi ideology, were considered to be a threat to German public health. The elaborate avant-garde design of the catalogue of the exhibition was created by renowned designer Herbert Bayer (1900-1985). Neither Gebhard nor Bayer, despite being involved in the organisation of the most significant and popular Nazi propaganda exhibitions, belonged to the Nazi party themselves and had to flee to the US in the following years.\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp\u003e\u003cem\u003eDas Wunder des Lebens\u003c/em\u003e was een propaganda-tentoonstelling die werd georganiseerd om de raciale ideologie van de nazi\u0026#39;s te promoten. Ze vond plaats in 1935 op de Kaiserdamm in Berlijn en in het Deutsches Hygiene-Museum in Dresden, en reisde later naar andere locaties. De omvangrijke expo werd georganiseerd door Bruno Gebhard (1901-1985), een arts die bekend stond als curator van verschillende gerenommeerde propagandatentoonstellingen als \u003cem\u003eDie Frau in Familie, Haus und Beruf\u003c/em\u003e (1933) en \u003cem\u003eDeutsches Volk \u003c/em\u003e\u0026ndash;\u003cem\u003e Deutsche Arbeit\u003c/em\u003e (1934). Ze toonde nieuwe beelden met \u0026#39;de mens\u0026#39; als middelpunt. De belangrijkste thema\u0026#39;s waren \u0026#39;Die Lehre vom Leben\u0026#39; (De leer van het leven), met als hoogtepunt de transparante sculptuur \u003cem\u003eDer gl\u0026auml;serne Mensch\u003c/em\u003e (De glazen mens); \u003cem\u003ede Tr\u0026auml;ger des Lebens\u003c/em\u003e (De drager van het leven), inclusief \u0026#39;de Duitse familie\u0026#39;; en de \u003cem\u003eErhaltung des Lebens\u003c/em\u003e (Het behoud van het leven), gewijd aan het gezondheidssysteem in Duitsland. Het beeldmateriaal dat op de tentoonstelling te zien was, omvatte afbeeldingen van gezonde \u0026#39;Arische\u0026#39; types en van Joodse mensen, beelden van lichamelijk of geestelijk gehandicapten, en representaties van andere \u0026#39;ongewenste\u0026#39; categorie\u0026euml;n die volgens de nazi-ideologie een bedreiging vormden voor de Duitse Volksgezondheid. Het nauwgezette avant-gardistische ontwerp van de tentoonstellingscatalogus was van de hand van de beroemde ontwerper Herbert Bayer (1900-1985). Zowel Bayer als Gebhard waren betrokken bij de organisatie van de belangrijkste en meest populaire nazi-propaganda-tentoonstellingen. Toch waren ze zelf geen lid van de nazipartij; een paar jaar later vluchten ze naar de VS.\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[]}