{"id":26945,"title":"Ayn Rand, \"Ethics In Education\"","dimensions":"31,5 x 31,5 cm ","date_begin":"1966-01-01","material":"Vinyl, LP","art_status_id":220,"legal_status_id":47,"category_id":27,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"","cached_tag_list":"Monoculture Objectivism Ayn Rand","publishing_process_id":1,"annotation":"\u003cp\u003ePublished by NBI Communications, Inc\u003c/p\u003e\r\n","date_end":null,"reference":"","stream_count_app":13,"permalink":"ayn-rand-ethics-in-education","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/102/medium_500/Image000171.jpg?1598538422","cached_actor_names":"","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Other","nl":"Andere","fr":"Autre"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/102/large/Image000171.jpg?1598538422","poster_credits":"scan: (c) M HKA, Published by NBI Communications, Inc.","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003eThe lecture \u003cem\u003eEthics in Education\u003c/em\u003e of the same year was based on Rand\u0026rsquo;s 1965 essay \u003cem\u003eArt and Moral Treason (The Romantic Manifesto)\u003c/em\u003e. Rand believed that art plays an indispensable role in education and moral development. As an ardent adherent of what she called Romantic art, Ayn Rand strongly criticised modern art for its distortion of reality and abolition of heroic spirit. Romantic art, according to her, represents things not as they are, but as they might\u0026nbsp;and ought to be. In her lectures and writing, Rand sets out to develop her own theory of aesthetics, based on the moral principles of Objectivism. According to Rand, the evaluation of art, or aesthetic judgements, lies beyond the sphere of emotions. She defines art as \u0026ldquo;a selective re-creation of reality according to an artist\u0026rsquo;s metaphysical value judgements\u0026rdquo;. According to Rand, the purpose of art is to transform the metaphysical abstraction of knowledge into concrete perceptual awareness. Thus, a work of art should be representational, and its subject intelligible. Art guides one\u0026rsquo;s consciousness and provides a certain vision of existence. Hence Rand\u0026rsquo;s favour for the \u0026ldquo;heroic\u0026rdquo; art of ancient Greece, and Romanticism, and her strong dislike of \u0026ldquo;deformed medieval monstrosity\u0026rdquo; as well as modern art.\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp\u003eDe lezing \u003cem\u003eEthics in Education\u003c/em\u003e (Ethiek in het onderwijs) was gebaseerd op haar essay \u003cem\u003eArt and Moral Treason (The Romantic Manifesto)\u003c/em\u003e (Kunst en morele rede (het romantisch manifest)) uit 1965. Ayn Rand was van mening dat kunst een onmisbare rol speelt in onderwijs en morele ontwikkeling. Als een fervent aanhanger van wat zij romantische kunst noemde, bekritiseerde ze de moderne kunst, omdat die de realiteit vervormde en komaf maakte met de geest van hero\u0026iuml;ek. Romantische kunst representeert volgens haar de dingen niet zoals ze zijn, maar zoals ze zouden kunnen en moeten zijn. In haar lezingen en geschriften tracht Rand haar eigen esthetische theorie te ontwikkelen, die zich baseert op de morele principes van het objectivisme. Volgens Rand liggen esthetische oordelen of de evaluatie van kunst buiten de emotionele sfeer. Ze definieert kunst als \u0026ldquo;een selectieve herschepping van de werkelijkheid volgens de metafysische waardeoordelen van een kunstenaar.\u0026rdquo; Het doel van kunst is om de metafysische abstractie van kennis om te zetten in concreet perceptueel bewustzijn. Een kunstwerk moet dus representatief, en het onderwerp duidelijk zijn. Kunst leidt het bewustzijn en levert een concrete visie op het bestaan. Dit verklaart Rands voorkeur voor de \u0026#39;hero\u0026iuml;sche\u0026#39; kunst uit het oude Griekenland en de romantiek, en haar sterke afkeer van de \u0026ldquo;misvormde middeleeuwse monsterlijkheid\u0026rdquo; en moderne kunst.\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[]}