{"id":26998,"title":"Leo Frobenius, \"1873/1973. Une Anthologie\"","dimensions":"16,2 x 23,5 x 2 cm","date_begin":"1973-01-01","material":"","art_status_id":220,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection MHKA, Antwerp","cached_tag_list":"Monoculture Negritude Frobenius","publishing_process_id":1,"annotation":"\u003cp\u003eLeo Frobenius 1873/1973. An Anthology\u003cbr /\u003e\r\nFirst edition\u003c/p\u003e\r\n\r\n\u003cp\u003ePublished by Franz Steiner Verlag\u003c/p\u003e\r\n","date_end":null,"reference":"","stream_count_app":18,"permalink":"leo-frobenius-1873-1973-une-anthologie","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/164/medium_500/Image000301.jpg?1598947694","cached_actor_names":"","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"category":{"en":"Book","nl":"Boek","fr":"Livre"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/164/large/Image000301.jpg?1598947694","poster_credits":"scan: (c) M HKA, Published by Franz Steiner Verlag","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003eLeo Frobenius (1873-1938) was a German ethnologist, archaeologist, and proponent of a culture-historical approach to ethnology. He is also considered to be one of the key figures that influenced the \u003cem\u003eN\u0026eacute;gritude \u003c/em\u003emovement. In the introduction to\u003cem\u003e An Anthology\u003c/em\u003e published on the occasion of Frobenius\u0026rsquo; hundred years anniversary, L\u0026eacute;opold Senghor claimed that the latter had not only \u0026ldquo;revealed Africa for the rest of the world\u0026rdquo;, but also \u0026ldquo;Africans to themselves\u0026rdquo;. Indeed, in his \u003cem\u003eKulturgeschichte Afrikas\u003c/em\u003e, the German ethnologist not only points out that the \u0026ldquo;barbarian negro was a European invention\u0026rdquo;, but also elaborates on such concepts as emotion, intuition, art, myth, and \u003cem\u003eEurafrica\u003c/em\u003e, which would become crucial for Senghor\u0026rsquo;s understanding of black subjectivity. Frobenius defined several \u003cem\u003eKulturkreisen\u003c/em\u003e (culture circles), cultural entities that have a particular centre of origin that were later spread around the world. By \u003cem\u003eEurafrica \u003c/em\u003ehe understood a civilisation that developed around the Mediterranean Sea, and which flourished in the Upper Palaeolithic and late Stone age. Further developed by Senghor, the concept of \u003cem\u003eEurafrica \u003c/em\u003ewas closely connected with his concept of \u003cem\u003eCivilisation de l\u0026rsquo;Universel \u003c/em\u003e(Universal Civilisation) that re-evaluated African cultural achievements, putting them on the same level as European ones, and considering them as part of the same cultural continuum.\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp\u003eLeo Frobenius (1873-1938) was een Duitse etnoloog, archeoloog en voorstander van een cultuurhistorische benadering van etnologie. Hij wordt ook beschouwd als een van de figuren die een grote invloed uitoefenden op de n\u0026eacute;gritude-beweging. In de inleiding tot de bloemlezing die werd gepubliceerd ter gelegenheid van Frobenius\u0026#39; honderdste verjaardag, schrijft L\u0026eacute;opold Senghor dat Frobenius niet alleen \u0026#39;Afrika aan de wereld openbaarde\u0026#39; \u0026ndash; maar ook \u0026#39;de Afrikanen aan zichzelf\u0026#39;. In zijn \u003cem\u003eKulturgeschichte Afrikas\u003c/em\u003e wijst de etnoloog er niet alleen op dat de \u0026#39;barbaarse neger een Europese uitvinding was\u0026#39;, maar gaat hij ook in op concepten als emotie, intu\u0026iuml;tie, kunst, mythe en \u0026lsquo;Eurafrica\u0026rsquo;, die cruciaal zouden worden voor Senghors begrip van zwarte subjectiviteit. Frobenius definieerde verschillende \u0026lsquo;Kulturkreisen\u0026rsquo; (cultuurkringen), culturele entiteiten met een welbepaald centrum van origine, die later over de hele wereld werden verspreid. Onder \u0026lsquo;Eurafrica\u0026rsquo; verstond hij een beschaving die zich had ontwikkeld rond de Middellandse Zee en die floreerde in het laatpaleolithicum en de late steentijd. Senghor werkt dat idee van Eurafrica verder uit. Voor hem was het nauw verbonden met z ijn eigen concept van \u0026#39;Civilisation de l\u0026#39;Universel\u0026#39; (Universele beschaving). Dat laatste stond voor een herwaardering van wat Afrika op cultureel gebeid had bereikt \u0026ndash; een prestatie die de vergelijking met de Europese verwezenlijkingen kon doorstaan. Beide werden gezien als onderdeel van hetzelfde culturele continu\u0026uuml;m.\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[]}