{"id":26999,"title":"Henri Bergson, \"L'évolution créatrice\"","dimensions":"14,3 x 22,7 cm","date_begin":"1907-01-01","material":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection MHKA, Antwerp","cached_tag_list":"Monoculture Negritude","publishing_process_id":1,"annotation":"\u003cp\u003ePublished by \u0026nbsp;Librairies F\u0026eacute;lix Alcan et Guillaumin R\u0026eacute;unies\u003c/p\u003e\r\n","date_end":null,"reference":"","stream_count_app":15,"permalink":"henri-bergson-l-evolution-creatrice","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/166/medium_500/Image000296.jpg?1598947832","cached_actor_names":"","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"category":{"en":"Book","nl":"Boek","fr":"Livre"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/166/large/Image000296.jpg?1598947832","poster_credits":"scan: (c) M HKA, Published by  Librairies Félix Alcan et Guillaumin Réunies","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003eHenri Bergson (1859-1941) was a French philosopher who opposed the prevailing Western rationalism. Bergson was particularly influential for the rehabilitation of intuition in philosophical thought, as well as for his distinction between \u0026quot;open society\u0026quot; and \u0026quot;closed society\u0026quot; (\u003cem\u003eThe Two Sources of Morality and Religion\u003c/em\u003e, 1932), the ideas which were further developed by Karl Popper. In \u003cem\u003eL\u0026rsquo;\u0026Eacute;volution cr\u0026eacute;atrice \u003c/em\u003eBergson proceeds from evolution as a scientifically established fact, but rejects finalism and introduces the theory of evolution not as mechanistic, but as a creative process, driven by an \u003cem\u003e\u0026eacute;lan vital\u003c/em\u003e (vital impulse). The latter is characterised as an immanent creative impetus found in all organisms and also accounts for the creative nature of mankind. Bergson believed that intuition, as the opposite to practical and rationalised intelligence, allows us to grasp the essence of life and to return to our core creative impulse. These ideas were of particular influence to L\u0026eacute;opold Senghor who would later put the primacy of intuition and art at the heart of his philosophy of \u003cem\u003eN\u0026eacute;gritude\u003c/em\u003e.\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp\u003eHenri Bergson (1859-1941) was een Franse filosoof die zich verzette tegen het heersende westerse rationalisme. Bergsons filosofie be\u0026iuml;nvloedde de heropwaardering van de intu\u0026iuml;tie in het filosofische denken, en ook zijn onderscheid tussen \u0026#39;open\u0026#39; en \u0026#39;gesloten samenleving\u0026#39; in \u003cem\u003eLes Deux sources de la morale et de la r\u0026eacute;ligion\u003c/em\u003e (De twee bronnen van moraal en religie; 1932) kende heel wat navolging. Zo werd het bijvoorbeeld verder ontwikkeld door Karl Popper. In \u003cem\u003e L\u0026rsquo;\u0026Eacute;volution cr\u0026eacute;atrice \u003c/em\u003e (De creatieve evolutie) gaat Bergson uit van evolutie als een wetenschappelijk vastgesteld feit, maar hij verwerpt het finalisme en introduceert de evolutietheorie niet als een mechanistisch, maar als een creatief proces dat gedreven wordt door een \u0026lsquo;\u0026eacute;lan vital\u0026rsquo; (een vitaal elan, een vitale bezieling). Dat laatste wordt beschreven als een immanente creatieve impuls die in alle organismen voorkomt en die tevens het creatieve karakter van de mensheid verklaart. Bergson geloofde dat de intu\u0026iuml;tie, in tegenstelling tot de praktische en gerationaliseerde intelligentie, ons in staat stelt de essentie van het leven te begrijpen en terug te keren naar onze centrale creatieve bezieling. Deze idee\u0026euml;n waren van grote invloed op L\u0026eacute;opold Senghor, die later het primaat van intu\u0026iuml;tie en kunst centraal zou stellen in zijn filosofie van n\u0026eacute;gritude.\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[]}