{"id":4858,"title":"Grossmut begatte mich [Generosity, Mate with Me]","dimensions":"00:07:00","date_begin":"1996-01-01","material":"VHS","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":2,"collection":"De Vleeshal Collection, Middelburg (The Netherlands)","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"VH0275","stream_count_app":33,"permalink":"grossmut-begatte-mich-generosity-mate-with-me","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Pipilotti Rist","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Video","nl":"Video","fr":"Video"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/008/568/large/Rist__0006_PippilottiPhoto_clinckx9.JPG?1334242592","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003eFor \u003cem\u003eGrossmut begatte mich\u003c/em\u003e (Magnanimity, mate with me), Rist for the first time made use of large projections that blend into the architecture, breaking through the monitor\u0026rsquo;s restrictive framework and drawing visitors into an idyllic yet alienating underwater world. Music plays an important role for Rist, who for a while was the lead singer of Swiss band Les Reines Prochaines. For this work, and together with artist and musician Anders Guggisberg, she recorded a cover of the renowned song\u003cbr /\u003e\r\n\u003cem\u003eWicked Game\u003c/em\u003e by Chris Isaak, but here the sugary vocals turn into hysterical screams. By giving the sensory a central place, Rist shifts the emphasis in the space from the visitors\u0026rsquo; cognitive experience to their physical experience. In this way, the work seeks to remove distinctions between tangible and fleeting, inner and outer, subject and object, dream and harsh reality.\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp\u003eVoor \u003cem\u003eGrossmut begatte mich\u003c/em\u003e [Grootmoedigheid, paar met me] maakt Rist voor het eerst gebruik van grote projecties die opgaan in de architectuur. Op die manier wil ze\u003cbr /\u003e\r\nhet beperkende kader van de monitor doorbreken en bezoekers meezuigen in een idyllische en tegelijk bevreemdende onderwaterwereld. Muziek speelt een belangrijke rol voor Rist, die een tijdlang zanger was van de rockband Les Reines Prochaines. Voor dit werk neemt ze samen met kunstenaar en muzikant Anders\u003cbr /\u003e\r\nGuggisberg een cover op van het bekende nummer Wicked Game van Chris Isaak, waarin de zeemzoeterige zang omslaat in hysterisch gekrijs. Door het zintuiglijke centraal te plaatsen, verlegt Rist de nadruk in de museumzaal van de cognitieve naar de lichamelijke ervaring van bezoekers. Zo zoekt het werk de grens op\u003cbr /\u003e\r\ntussen tastbaar en vluchtig, innerlijk en uiterlijk, subject en object, droom en harde realiteit.\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cp\u003ePour son oeuvre \u003cem\u003eGrossmut begatte mich \u003c/em\u003e[Magnanimit\u0026eacute;, accoupletoi avec moi], Rist utilise pour la premi\u0026egrave;re fois de vastes projections qui se fondent dans l\u0026rsquo;architecture.\u003cbr /\u003e\r\nDe cette mani\u0026egrave;re, elle entend briser le cadre contraignant du moniteur et aspirer les visiteur\u0026middot;euse\u0026middot;s dans un monde sous-marin idyllique qui n\u0026rsquo;en reste pas moins ali\u0026eacute;nant. La musique joue un r\u0026ocirc;le important dans le travail de Rist. Pour cette oeuvre, et en collaboration avec l\u0026rsquo;artiste et musicien Anders Guggisberg, elle a enregistr\u0026eacute; une reprise de la c\u0026eacute;l\u0026egrave;bre chanson \u003cem\u003eWicked Game\u003c/em\u003e de Chris Isaak; une reprise dont les voix susurrantes se transforment en cris hyst\u0026eacute;riques. En accordant une place centrale aux sens, Rist met l\u0026rsquo;accent, au sein de la salle du mus\u0026eacute;e, sur l\u0026rsquo;exp\u0026eacute;rience physique des spectateur\u0026middot;trice\u0026middot;s plut\u0026ocirc;t que sur leur exp\u0026eacute;rience cognitive. Ainsi, l\u0026rsquo;oeuvre explore la fronti\u0026egrave;re entre le tangible et le fugitif, entre l\u0026rsquo;int\u0026eacute;rieur et l\u0026rsquo;ext\u0026eacute;rieur, entre le sujet et l\u0026rsquo;objet, et enfin entre le r\u0026ecirc;ve et la cruelle r\u0026eacute;alit\u0026eacute;.\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":739,"name":"Pipilotti Rist","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}