{"id":7429,"title":"Madonna","dimensions":"93.5 x 85.5 cm ","date_begin":"2010-01-01","material":"oil on canvas","art_status_id":13,"legal_status_id":47,"category_id":182,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA, Antwerp / Collection Flemish Community ","cached_tag_list":"Fouquet Koen van den Broek","publishing_process_id":1,"annotation":"\u003cp\u003eIn 2013 tenslotte verwierf het M HKA een schilderij van Van den Broek naar Jean Fouquets Madonna omringd door serafijnen en cherubijnen uit 1452. Het beeld van Koen van den Broek was het icoonbeeld van de tentoonstelling \u0026lsquo;Meesters in het MAS\u0026rsquo; en het begeleidende boek Beelddenken. Vijf eeuwen beeld in Antwerpen, waarin het beelddenken uit de negentiende eeuw wordt gethematiseerd.\u003c/p\u003e\r\n\r\n\u003cp\u003eAquisition on behalf of the Flemish Comunity. Painting with a clear reference to Jean Fouquet\u0026rsquo;s 1452 painting Madonna.\u003c/p\u003e\r\n","date_end":null,"reference":"BK7803_M507","stream_count_app":60,"permalink":"madonna","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Koen van den Broek","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"category":{"en":"Film","nl":"","fr":""},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/016/964/large/MadonnaHighRes.jpg?1369985826","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eWith \u003cem\u003eMadonna\u003c/em\u003e, Koen van den Broek demonstrates his affinity with classical painting.Van den Broek originally made this painting for the exhibition \u003cem\u003eMasterpieces in the MAS\u003c/em\u003e\u0026nbsp;at Antwerp\u0026rsquo;s Museum Aan de Stroom. Here, the clear reference is to Jean Fouquet\u0026rsquo;s 1452 painting \u003ca href=\"http://www.kmska.be/nl/collectie/highlights/Madonna.html\"\u003e\u003cem\u003eMadonna surrounded by Seraphim and Cherubim\u003c/em\u003e\u003c/a\u003e. Fouquet\u0026rsquo;s use of color and compositional division indeed find echoes in Van den Broek\u0026rsquo;s \u003cem\u003eMadonna\u003c/em\u003e, but the in-part abstracted execution is typical for Koen van den Broek\u0026rsquo;s oeuvre. This iconic image for the exhibition \u003cem\u003eMasterpieces in the MAS\u0026nbsp;\u003c/em\u003eand the accompanying book \u003cem\u003eVisual Thinking. Five Centuries of Images in Antwerp\u003c/em\u003e, wherein visual thinking from the 19th century is thematised.\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eMet \u003cem\u003eMadonna\u003c/em\u003e\u0026nbsp;toont Koen van den Broek zijn affiniteit voor klassieke schilderkunst. Van den Broek maakte dit schilderij oorspronkelijk voor de tentoonstelling \u003cem\u003eMeesterwerken in het MAS\u003c/em\u003e\u0026nbsp;in het Museum Aan de Stroom te Antwerpen. In het schilderij verwijst hij naar het werk \u003ca href=\"http://www.kmska.be/nl/collectie/highlights/Madonna.html\"\u003e\u003cem\u003eMadonna omringd door serafijnen en cherubijnen\u003c/em\u003e\u003c/a\u003e\u0026nbsp;van Jean Fouquet uit 1452. Fouquet\u0026#39;s kleurgebruik en compositionele indeling vinden inderdaad weerklank in Van den Broeks \u003cem\u003eMadonna\u003c/em\u003e, maar de gedeeltelijke abstractie is dan wel weer typisch Koen van den Broek. Het beeld van Koen van den Broek was het icoonbeeld van de tentoonstelling \u003cem\u003eMeesterwerken in het MAS\u003c/em\u003e\u0026nbsp;en het begeleidende boek \u003cem\u003eBeelddenken. Vijf eeuwen beeld in Antwerpen\u003c/em\u003e, waarin het beelddenken uit de negentiende eeuw wordt gethematiseerd.\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eAvec \u003cem\u003eMadone\u003c/em\u003e, Koen van den Broek montre son affinit\u0026eacute; pour la peinture classique. Initialement, Van den Broek a fait cette peinture pour l\u0026rsquo;exposition \u003cem\u003eMeesterwerken in het MAS (Chef d\u0026rsquo;\u0026oelig;uvres au MAS) \u003c/em\u003edans le Museum Aan de Stroom \u0026agrave; Anvers. Dans la peinture, il renvoie \u0026agrave; l\u0026rsquo;\u0026oelig;uvre \u003cem\u003eMadone entour\u0026eacute;e de s\u0026eacute;raphins et de ch\u0026eacute;rubins\u003c/em\u003e de Jean Fouquet datant de 1452. L\u0026rsquo;utilisation de couleurs et la composition de Fouquet peuvent effectivement \u0026ecirc;tre retrouv\u0026eacute;es dans \u003cem\u003eMadone \u003c/em\u003ede Van den broek, mais l\u0026rsquo;abstraction partielle par contre, est typique de Koen van den Broek. L\u0026rsquo;image de Koen van den Broek \u0026eacute;tait l\u0026rsquo;ic\u0026ocirc;ne de l\u0026rsquo;exposition \u003cem\u003eMeesterwerken in het MAS (Chefs d\u0026rsquo;\u0026oelig;uvres au MAS)\u003c/em\u003e et du livre d\u0026rsquo;accompagnement \u003cem\u003ePens\u0026eacute;e visuelle. Cinq si\u0026egrave;cles d\u0026rsquo;images \u0026agrave; Anvers, \u003c/em\u003eayant pris la pens\u0026eacute;e visuelle du 19\u003csup\u003e\u0026egrave;me\u003c/sup\u003e si\u0026egrave;cle \u003cem\u003ecomme th\u0026egrave;me.\u003c/em\u003e\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eMit \u003cem\u003eMadonna\u003c/em\u003e zeigt Koen van den Broek seine Affinit\u0026auml;t zur klassischen Malerei. Van den Broek hat dieses Gem\u0026auml;lde urspr\u0026uuml;nglich f\u0026uuml;r die Ausstellung \u003cem\u003eMeesterwerken in het MAS \u003c/em\u003e(dt. Meisterwerke im MAS) in dem Antwerpener Museum Aan de Stroom (dt. Museum am Strom) konzipiert. In dem Gem\u0026auml;lde verweist er auf das Werk \u003cem\u003eMadonna und Jesus, umringt von Serafim und Cherubim \u003c/em\u003evon Jean Fouquet 1452. Fouquet\u0026rsquo;s Farbverwendung und kompositionale Einteilung finden in der Tat Resonanz in Van den Broecks \u003cem\u003eMadonna\u003c/em\u003e, aber die teilweise Abstraktion ist dann schon wieder typisch f\u0026uuml;r Koen van den Broek. Dieses Bild war das ikonische Bild der Ausstellung \u003cem\u003eMeisterwerke im MAS\u003c/em\u003e und des Begleitbuches \u003cem\u003eBeelddenken. Vijf eeuwen beeld in Antwerpen. \u003c/em\u003e(dt. Bilddenken. F\u0026uuml;nf Jahrhunderte Bild in Antwerpen), indem das Bilddenken aus den 19. Jahrhundert thematisiert wird.\u003c/p\u003e\r\n"},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eGR\u003c/strong\u003e -\u0026nbsp;\u0026Mu;\u0026epsilon; \u0026tau;\u0026eta; \u003cem\u003eMadonna\u003c/em\u003e [\u0026Pi;\u0026alpha;\u0026nu;\u0026alpha;\u0026gamma;ί\u0026alpha;], \u0026omicron; \u0026Kappa;\u0026omicron;\u0026upsilon;\u0026nu; \u0026beta;\u0026alpha;\u0026nu; \u0026nu;\u0026tau;\u0026epsilon;\u0026nu; \u0026Mu;\u0026pi;\u0026rho;\u0026omicron;\u0026upsilon;\u0026kappa; \u0026epsilon;\u0026kappa;\u0026phi;\u0026rho;ά\u0026zeta;\u0026epsilon;\u0026iota; \u0026tau;\u0026eta; \u0026beta;\u0026alpha;\u0026theta;\u0026iota;ά \u0026sigma;\u0026chi;έ\u0026sigma;\u0026eta; \u0026tau;\u0026omicron;\u0026upsilon; \u0026mu;\u0026epsilon; \u0026tau;\u0026eta;\u0026nu; \u0026kappa;\u0026lambda;\u0026alpha;\u0026sigma;\u0026iota;\u0026kappa;ή \u0026zeta;\u0026omega;\u0026gamma;\u0026rho;\u0026alpha;\u0026phi;\u0026iota;\u0026kappa;ή. \u0026Omicron; \u0026kappa;\u0026alpha;\u0026lambda;\u0026lambda;\u0026iota;\u0026tau;έ\u0026chi;\u0026nu;\u0026eta;\u0026sigmaf; \u0026phi;\u0026iota;\u0026lambda;\u0026omicron;\u0026tau;έ\u0026chi;\u0026nu;\u0026eta;\u0026sigma;\u0026epsilon; \u0026alpha;\u0026upsilon;\u0026tau;ό \u0026tau;\u0026omicron; έ\u0026rho;\u0026gamma;\u0026omicron; \u0026gamma;\u0026iota;\u0026alpha; \u0026tau;\u0026eta;\u0026nu; έ\u0026kappa;\u0026theta;\u0026epsilon;\u0026sigma;\u0026eta; \u003cem\u003eMasterpieces in the MAS \u003c/em\u003e[\u0026Alpha;\u0026rho;\u0026iota;\u0026sigma;\u0026tau;\u0026omicron;\u0026upsilon;\u0026rho;\u0026gamma;ή\u0026mu;\u0026alpha;\u0026tau;\u0026alpha; \u0026sigma;\u0026tau;\u0026omicron; MAS]\u0026nbsp;\u0026sigma;\u0026tau;\u0026omicron; Museum Aan de Stroom \u0026tau;\u0026eta;\u0026sigmaf; \u0026Alpha;\u0026mu;\u0026beta;έ\u0026rho;\u0026sigma;\u0026alpha;\u0026sigmaf;. \u0026Epsilon;\u0026delta;ώ, \u0026gamma;ί\u0026nu;\u0026epsilon;\u0026tau;\u0026alpha;\u0026iota; \u0026sigma;\u0026alpha;\u0026phi;ή\u0026sigmaf; \u0026alpha;\u0026nu;\u0026alpha;\u0026phi;\u0026omicron;\u0026rho;ά \u0026sigma;\u0026tau;\u0026omicron; έ\u0026rho;\u0026gamma;\u0026omicron; \u0026tau;\u0026omicron;\u0026upsilon; \u0026Zeta;\u0026alpha;\u0026nu; \u0026Phi;\u0026omicron;\u0026upsilon;\u0026kappa;έ, \u003cem\u003e\u0026Pi;\u0026alpha;\u0026rho;\u0026theta;έ\u0026nu;\u0026omicron;\u0026sigmaf; \u0026epsilon;\u0026nu; \u0026mu;έ\u0026sigma;\u0026omega; \u0026Sigma;\u0026epsilon;\u0026rho;\u0026alpha;\u0026phi;\u0026epsilon;ί\u0026mu; \u0026kappa;\u0026alpha;\u0026iota; \u0026Chi;\u0026epsilon;\u0026rho;\u0026omicron;\u0026upsilon;\u0026beta;\u0026epsilon;ί\u0026mu; \u003c/em\u003e\u003cem\u003e(\u003c/em\u003e1452). \u0026Eta; \u0026chi;\u0026rho;ή\u0026sigma;\u0026eta; \u0026alpha;\u0026pi;ό \u0026tau;\u0026omicron;\u0026nu; \u0026Phi;\u0026omicron;\u0026upsilon;\u0026kappa;έ \u0026tau;\u0026omicron;\u0026upsilon; \u0026chi;\u0026rho;ώ\u0026mu;\u0026alpha;\u0026tau;\u0026omicron;\u0026sigmaf; \u0026kappa;\u0026alpha;\u0026iota; \u0026tau;\u0026eta;\u0026sigmaf; \u0026sigma;\u0026upsilon;\u0026nu;\u0026theta;\u0026epsilon;\u0026tau;\u0026iota;\u0026kappa;ή\u0026sigmaf; \u0026delta;\u0026iota;ά\u0026tau;\u0026alpha;\u0026xi;\u0026eta;\u0026sigmaf; \u0026pi;\u0026rho;ά\u0026gamma;\u0026mu;\u0026alpha;\u0026tau;\u0026iota; \u0026epsilon;ί\u0026nu;\u0026alpha;\u0026iota; \u0026pi;\u0026alpha;\u0026rho;\u0026omicron;ύ\u0026sigma;\u0026alpha; \u0026sigma;\u0026tau;\u0026eta;\u0026nu; \u0026Pi;\u0026alpha;\u0026nu;\u0026alpha;\u0026gamma;ί\u0026alpha; \u0026tau;\u0026omicron;\u0026upsilon; \u0026Beta;\u0026alpha;\u0026nu; \u0026nu;\u0026tau;\u0026epsilon;\u0026nu; \u0026Mu;\u0026pi;\u0026rho;\u0026omicron;\u0026upsilon;\u0026kappa;, \u0026eta; \u0026sigma;\u0026chi;\u0026epsilon;\u0026tau;\u0026iota;\u0026kappa;ά \u0026alpha;\u0026phi;\u0026alpha;\u0026iota;\u0026rho;\u0026epsilon;\u0026tau;\u0026iota;\u0026kappa;ή \u0026epsilon;\u0026rho;\u0026mu;\u0026eta;\u0026nu;\u0026epsilon;ί\u0026alpha;, ό\u0026mu;\u0026omega;\u0026sigmaf;, \u0026epsilon;ί\u0026nu;\u0026alpha;\u0026iota; \u0026gamma;\u0026epsilon;\u0026nu;\u0026iota;\u0026kappa;ά \u0026chi;\u0026alpha;\u0026rho;\u0026alpha;\u0026kappa;\u0026tau;\u0026eta;\u0026rho;\u0026iota;\u0026sigma;\u0026tau;\u0026iota;\u0026kappa;ή \u0026tau;\u0026omicron;\u0026upsilon; έ\u0026rho;\u0026gamma;\u0026omicron;\u0026upsilon; \u0026tau;\u0026omicron;\u0026upsilon; \u0026Kappa;\u0026omicron;\u0026upsilon;\u0026nu; \u0026beta;\u0026alpha;\u0026nu; \u0026nu;\u0026tau;\u0026epsilon;\u0026nu; \u0026Mu;\u0026pi;\u0026rho;\u0026omicron;\u0026upsilon;\u0026kappa;. \u0026Eta; \u0026epsilon;\u0026mu;\u0026beta;\u0026lambda;\u0026eta;\u0026mu;\u0026alpha;\u0026tau;\u0026iota;\u0026kappa;ή \u0026alpha;\u0026upsilon;\u0026tau;ή \u0026epsilon;\u0026iota;\u0026kappa;ό\u0026nu;\u0026alpha; \u0026gamma;\u0026iota;\u0026alpha; \u0026tau;\u0026eta;\u0026nu; έ\u0026kappa;\u0026theta;\u0026epsilon;\u0026sigma;\u0026eta; \u0026Alpha;\u0026rho;\u0026iota;\u0026sigma;\u0026tau;\u0026omicron;\u0026upsilon;\u0026rho;\u0026gamma;ή\u0026mu;\u0026alpha;\u0026tau;\u0026alpha; \u0026sigma;\u0026tau;\u0026omicron; MAS\u0026nbsp;\u0026kappa;\u0026alpha;\u0026iota; \u0026tau;\u0026omicron;\u0026nu; \u0026sigma;\u0026upsilon;\u0026nu;\u0026omicron;\u0026delta;\u0026epsilon;\u0026upsilon;\u0026tau;\u0026iota;\u0026kappa;ό \u0026tau;\u0026eta;\u0026sigmaf; \u0026kappa;\u0026alpha;\u0026tau;ά\u0026lambda;\u0026omicron;\u0026gamma;\u0026omicron; \u003cem\u003eVisual Thinking. Five Centuries of Images in Antwerp\u003c/em\u003e [\u0026Omicron;\u0026pi;\u0026tau;\u0026iota;\u0026kappa;ή \u0026sigma;\u0026kappa;έ\u0026psi;\u0026eta;. \u0026Pi;έ\u0026nu;\u0026tau;\u0026epsilon; \u0026Alpha;\u0026iota;ώ\u0026nu;\u0026epsilon;\u0026sigmaf; \u0026Epsilon;\u0026iota;\u0026kappa;ό\u0026nu;\u0026omega;\u0026nu; \u0026sigma;\u0026tau;\u0026eta;\u0026nu; \u0026Alpha;\u0026mu;\u0026beta;έ\u0026rho;\u0026sigma;\u0026alpha;] \u0026sigma;\u0026tau;\u0026omicron;\u0026chi;ά\u0026zeta;\u0026epsilon;\u0026tau;\u0026alpha;\u0026iota; \u0026pi;ά\u0026nu;\u0026omega; \u0026sigma;\u0026tau;\u0026eta;\u0026nu; \u0026pi;\u0026alpha;\u0026rho;ά\u0026delta;\u0026omicron;\u0026sigma;\u0026eta; \u0026tau;\u0026omicron;\u0026upsilon; 16\u0026omicron;\u0026upsilon; \u0026kappa;\u0026alpha;\u0026iota; 17\u0026omicron;\u0026upsilon; \u0026alpha;\u0026iota;ώ\u0026nu;\u0026alpha; \u0026mu;έ\u0026sigma;\u0026alpha; \u0026alpha;\u0026pi;ό \u0026tau;\u0026omicron; \u0026pi;\u0026rho;ί\u0026sigma;\u0026mu;\u0026alpha; \u0026tau;\u0026eta;\u0026sigmaf; \u0026sigma;ύ\u0026gamma;\u0026chi;\u0026rho;\u0026omicron;\u0026nu;\u0026eta;\u0026sigmaf; \u0026epsilon;\u0026iota;\u0026kappa;\u0026alpha;\u0026sigma;\u0026tau;\u0026iota;\u0026kappa;ή\u0026sigmaf; \u0026alpha;\u0026nu;\u0026tau;ί\u0026lambda;\u0026eta;\u0026psi;\u0026eta;\u0026sigmaf;.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u003c/p\u003e\r\n"}],"actors":[{"id":179,"name":"Koen van den Broek","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}